Ackerman’s first film, “Saute Ma Ville” (1968), pictured a domestic scene and was her debut as a feminist film maker.
Ackerman is aware of the viewpoint of the spectator and the passage of time. She uses time to create a sense of monotony and routine. She uses the camera angle to manipulate the way in which a viewer sees a scene.
FROM THE EAST retraces a journey from the end of summer to deepest winter, from East Germany, across Poland and the Baltics, to Moscow. It is a voyage Chantal Akerman wanted to make shortly after the collapse of the Soviet bloc "before it was too late," reconstructing her impressions in the manner of a documentary on the border of fiction.
By filming "everything that touched me," Akerman sifts through and fixes upon sounds and images as she follows the thread of this subjective crossing. Without dialogue or commentary.
Instead, we get beautiful and very long tracking shots that encompass a landscape of faces or a location. The documentary format’s requisite talking heads are replaced with static shots of ordinary people in their homes. They never speak. There doesn’t need to be any explanatory dialogue. The faces tell a story just fine.
FUENTES:
- From The East. http://icarusfilms.com/new2003/from.html
- DVD Review: Chantal Akerman's From The East - Blogcritics Video. http://blogcritics.org/video/article/dvd-review-chantal-akermans-from-the/
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